Showing posts with label writing process. Show all posts
Showing posts with label writing process. Show all posts

Monday, August 12, 2019

Creating an Authentic Voice for Your Novel


The concept of “voice” is an elusive one for many writers, but when you utilize techniques to develop your author’s voice, the narrative voice, and each character’s voice, your manuscript will become significantly more dynamic.


On September 18, 2019, at 7pm, I will be teaching my one-hour workshop on how to improve your author's voice at the Nampa Public Library. There is no charge to attend this event. Bring five pages of your manuscript to utilize during this hands-on process.



Here are a few of my favorite quotes on this topic:

“The author’s voice is about the chosen words, how we report the various senses, how the world we have invented becomes real.” -- Jane Yolen, Author


“A unique way of putting words together … a unique sensibility, a distinctive way of looking at the world. … Voice is a natural attribute. You no more control it than you can control the color of your eyes—nor would you want to. ... Set your voice free, set your words free … set your heart free. It is from the unknowable shadows of your subconscious that your stories will find their drive and from which they will draw their meaning. No one can loan you that or teach you that. Your voice is your self in the story.” – Donald Maass, Literary Agent


“A strong, distinctive, authoritative writing voice is something most fiction writers want—and something no editor or teacher can impart. There are, after all, no rules for writing like yourself. Voice is, however, something you can bring out in yourself.”
– Browne & King, Self-Editing for Fiction Writers


“It is … the outlook, opinions, details, delivery, and original perspectives that an author brings to his tale. Above all, a singular voice is not a lucky accident; it comes from a storyteller’s commitment not just to tell a terrific story but to tell it in a way that is wholly his own.” -- Donald Maass, Literary Agent


Monday, April 15, 2019

Library Workshop - Outlining Your Story

Saturday, April 13, 2019, we had a terrific time joining together as writers to discuss various ways of creating an outline for our stories. Below are a few slides from the presentation along with a couple snapshots. Libraries and librarians are the BEST. 



















Wednesday, March 6, 2019

IWSG: Whose Perspective - Hero or Villain?

The purpose of the Insecure Writers' Support Group is to "share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!"

http://www.insecurewriterssupportgroup.com


This Month's Question: "Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?"

My Answer: Since I write for the young adult audience, my novels are written from the perspective of the protagonist. However, during the drafting and revision phases, I will often write passages from the antagonist's perspective in order to better understand that character and his or her motivations. These passages don't make it into the finished manuscript, but bits and pieces and the essence of the writing filter through to the story.


How about you? Whose perspective do you like to write from?


Saturday, February 16, 2019

Nampa Library Presentation

Today, at the Nampa Public Library, I met with fellow writers and discussed my "12-Step Writing Process." 

Here are a few of the slides I shared during the presentation:








Here are a few snapshots from the event:





If you'd like me to come and speak to your group, click on the "appearances" tab above for more information, or just click here.

I also offer one-on-one coaching for writers. If this is something that appeals to you, please contact me for more information at: margokelly1 @ outlook . com (without the spaces).

Happy writing!

Wednesday, January 3, 2018

#IWSG - Writing Schedules

The first Wednesday of the month is Insecure Writer's Support Group!


The purpose of the IWSG is "to share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!" For more information visit the site: insecurewriterssupportgroup.com


The question of the month is: "What steps have you taken to put a schedule in place for your writing and publishing?"

Oh, boy, I'm excited to hop around to other IWSG blogs to read the answers of other writers, because this is an area I struggle with for some reason. Frankly, here's a picture to show my current state:



Maybe tomorrow I'll write a post about strengthening my optimism. Feel free to come back and check on me! ;) Until then, here's a link to everyone else's blog posts answering the question of the month:





Tuesday, October 3, 2017

Author Interview & Book Review: BORN TO BE WILD by Jess P. Shatkin

Since I often speak with teenagers regarding Internet safety, I am intrigued by their common willingness to take risks even though they've been taught, warned, and shown why certain actions could be harmful to them. So when I was offered an early copy of Jess Shatkin's book, Born to be Wild, I jumped at the opportunity to learn more from this nationally recognized adolescent psychiatrist and author. Additionally, I had the opportunity to ask him a few questions about both his book and his experience as an author. Scroll on down for my interview with Dr. Shatkin and my review of his book.


Description from the publisher:

Born to Be Wild: Why Teens Take Risks, and How We Can Help Keep Them Safe by Jess P. Shatkin, M.D. (TarcherPerigee; October 3, 2017).

An acclaimed adolescent psychiatrist and educator, Shatkin has been featured in the New York Times, the Wall Street Journal, and on Good Morning America.

As any parent of a tween, teen or 20-something knows, adolescents take risks. In fact, those aged 12-26 are hard-wired to take risks, but how do you combat these natural impulses? In Born to Be Wild, Jess Shatkin brings more than two decades' worth of research and clinical experience to the subject, along with cutting-edge findings from brain science, evolutionary psychology, game theory, and other disciplines -- plus a widely curious mind and the perspective of a concerned dad himself.

As Dr. Shatkin illustrates in Born to Be Wild:
* Adolescents are genetically engineered to prioritize emotions over logic: Teens make risky choices for social acceptance and to avoid emotional pain. If a peer is watching, even a peer they don’t know, adolescents are more likely to take risks.
* Teens know that they’re not invincible. In fact, studies have shown that, when teens engage in risky behavior, they often overestimate their chances of being harmed by that behavior.
* Improving parenting practices and increasing parent monitoring can help halt high-risk behaviors: Shatkin shares Parent Management Training (PMT) techniques that emphasize tactful praise over remonstrations of how not to behave.
* Supportive families benefit the brain: Studies show teens raised by parents with low levels of conflict in their homes have less demanding brain reward centers; these teens will engage in less risk-taking behavior because their interpersonal relationships are rewarding.
* Ironically, even though adolescence is a risk-taking time, it is also a time of incredible potential. In Born to Be Wild, Shatkin shows what parents and teachers can do--in everyday interactions, teachable moments, and specially chosen activities and outings--to work with teens' need for risk, rewards and social acceptance, not against it.


About the Author:

Nationally recognized child and adolescent psychiatrist Jess P. Shatkin, M.D., M.P.H., is one of the country's foremost voices in child and adolescent mental health. He serves as Vice Chair for Education at the Child Study Center and Professor of Child & Adolescent Psychiatry and Pediatrics at New York University School of Medicine. He has been featured in top print, radio, TV, and Internet outlets, including the New York Times, Good Morning America, Parade, New York Magazine, Health Day, CBS Evening News, New York Daily News, Wall Street Journal, and the Los Angeles Times. In addition, for the past eight years Dr. Shatkin has been the host of "About Our Kids," a two-hour call-in radio show broadcast live on SiriusXM's Doctor Radio. He lives in New York City with his wife and two teenage children.

For more information visit his site: www.drjesspshatkin.com



My Interview with Dr. Jess Shatkin:

Q: As a busy and well-respected professional in your field of Child & Adolescent Psychiatry and Pediatrics, how do you balance the time necessary to write a book and uphold the responsibilities of your “day job”?

A: Luckily for me, my day job is to work with and think about children, adolescents, young adults and their families.  So, I’m always addressing the sorts of issues I wrote about in Born to Be Wild and building clinical programs and trainings to help adolescents and their families.  It’s true that finding the time to write a book is tough.  I’ve been thinking about this book for seven years, and started writing it about three years ago.  So, it was a long birthing process and a lot of late nights and stolen hours on weekends.

Q: When you prepared to write and publish your first book, did you need to write a nonfiction book proposal and query agents, or were you approached by a publisher because of your expertise in your field?

A: Well, depending upon how you count books, it’s probably fair to say that this is my third book.  The first book, Treating Child and Adolescent Mental Illness:  A Practical All-in-One Guide, was written for professionals and people training in my field.  W.W. Norton published that in 2009, and we published a second edition, retitled Child and Adolescent Mental Health:  A Practical All-in-One Guide, in 2015.  Also in 2009, I co-edited a book of manuscripts on pediatric sleep disorders, which is an area of my clinical expertise.  So, because of the writing I’ve already done, in addition to research and clinical articles I write for professional journals, I do regularly get approached by academic publishers to write and edit books.  But that type of writing is very different from writing for the public in general, which is what I’ve done here.  So, to get to your real question, yes – I did speak with a few agents and I had to write a long, 120 page!, proposal for the book.  The proposal contained a summary, other books in the field that might be perceived as being similar, a detailed description of each chapter, two completed sample chapters, a marketing analysis, and a lot of info about me.  That was year one of writing this book.

Q: Whenever I pick up a new nonfiction book to read, I always flip to the table of contents first and then scan through the pages to see how the book is formatted. I noticed right away that you’d chosen unusual titles for each of your chapters, which certainly caught my attention and made me curious. Why did you choose to vaguely title chapters (such as “Achtung, Baby!” and “Getting to Gist”) rather than precisely indicating the content of each chapter?

A: One of my goals with this book was to translate new science and its practical application into common language.  As a result, I tried to write in the way that I speak and in a less technical way than I have written in the past.  The “fun” titles themselves are aimed at achieving two things:  First, I’m trying to hook the reader into the topic by making them curious about what’s next; and second, I’m trying to take the essence of what lies ahead and link it to something that the reader may recognize in some way.  Each of the chapter titles is subtitled so that you can see what it really is about (e.g., “Achtung, Baby!” [which is the name of a famous U2 album and therefore may pique some readers’ interest] is subtitled “What doesn’t keep our kids safe” which is what it’s really about).  But you’ll also find that every section of the book within each chapter leads with what I hope is an engaging title and topic sentence.  This was just one of the ways that I tried to reach my goal of bringing people into material that can otherwise, at times, read as dry.

Q: In your easy-to-read narrative style, you shared a lot of anecdotes. Do you ever worry you shared too many personal elements of your own history or the history of others?

A: No, I haven’t worried about that.  I think that everything I shared about myself, while a bit revealing at times, it’s true, is nothing to be ashamed of.  I did make some foolish mistakes growing up, and I had some good fortune as well.  I tried to show myself as I truly am – human and fallible, sometimes successful.  Regarding stories about my own two kids, those are all honest, discussed with them and cleared by them and my wife.  In other words, I didn’t reveal anything about them that they’re not comfortable with me revealing.  Regarding the patient stories I’ve shared, all of the names and details have been changed, and so they will read as anonymous.  I felt it was important to tell the stories so that people who read the book will find it “easy-to-read” as you describe it.  Without stories, I suspect the Bible wouldn’t have lasted…it would just read as a list of do’s and don’ts.  Likewise, with my book – the stories were absolutely necessary to get the points across.

Q: On page 49, you wrote, “During adolescence, dopamine is more robust within our brain than at any other time of our lives. Never again will chocolate taste so good. . . . This is perhaps the major reason that our memories of adolescence are so strong and our allegiances to the institutions of our youth . . . are so profound. Things will never feel this good again.” This passage was a huge lightbulb moment for me while reading your book, because I could never understand why people were so highly invested in high-school reunions and reliving memories from those years. Those years were not the highlight of my life, and I can assure you, each new day in which I get to savor expensive chocolate is a profound day in deed. Chocolate has never tasted so good as it did today, and I expect it to be even better tomorrow. Could my dopamine levels have been less “robust” than my peers during those adolescent years?

A: Well, first of all, you’re very lucky to be enjoying chocolate so much and looking forward to it every day!  My guess is that what you really like about the chocolate, in addition to the taste, is the anticipation of it.  That’s why people often like Friday (even though it’s a work day) more than any other day of the week – they are anticipating a weekend; and why they like Sunday even less than Friday, even though it’s a day off, because they are anticipating the work week ahead.  That’s a dopamine effect – it’s all about the anticipation of pleasure.  And I don’t mean to say that just because dopamine is at all-time highs during adolescence that you cannot enjoy certain things more with age – I think that many things in my life give me more pleasure now than they did when I was younger because I know how to take better advantage of them or utilize them better.  An example might be food – I didn’t really like the taste of truffles (of the fungus variety) as a kid, but around 30, I started to really enjoy them; I became able to distinguish truffles from other flavors and appreciated their uniqueness.  The same is true for me with red wine – I couldn’t tell one from the other at 25 and didn’t really care much about it.  But today, now that I know more and have tasted more wines, I know what I really like and red wine gives me much more pleasure than it did when I was younger.  Perhaps that’s the same with you and chocolate.  But none of this takes away from the fact that our emotional connection to things of our youth is profound, I believe, because we experienced those things at a time when we were primed to find pleasure by the high levels of dopamine.

Q: On page 32, you told a story about Chris who tried to kill himself after being misjudged due to a “zero tolerance policy.” I, too, know of teenagers who’ve attempted suicide because of such policies, and yet these practices remain in place throughout the country. Do you hope that Born to be Wild will shed new light on these school policies and spur a change within those institutions, or do you hope your book will enlighten parents so they can help guide and protect their children from those strict policies?

A: I would hope for both.  Change takes time, but I hope that my book will contribute to an ongoing conversation about how we raise our kids and particularly how we understand adolescents and this unique developmental stage.

Q: What was your number one goal in writing Born to be Wild?

A: My main goal was really to contribute to our understanding of adolescents; and to share what has been learned with the general public.

Q: What is the number one item you hope readers will take away from your book?

A: I hope that readers will gain a better understanding of themselves and adolescents, which I hope will lead to greater empathy, less frustration, and more constructive problem solving in helping our kids grow into healthy and responsible adults.


My Review of Born to be Wild:

My favorite way to read a nonfiction book is with Post-it flags and a pencil, because I love to flag compelling statements and I like to write notes to myself, reminding me of personal epiphanies I had while reading. The problem with this particular book was . . . I ran out of Post-its, because I had trouble using only one per page!

Dr. Jess Shatkin shares profound concepts regarding the teenager's inclination to take risks on nearly every page of his new book, Born to be Wild.

Dr. Shatkin's easy-to-read narrative combines anecdotes and scientific details to explain elements of the teenage psyche. For example, he utilizes a story about trying chocolate for the first time and relates that to how dopamine influences our future choices. Furthermore, he explains, "One of the most significant distinctions between adolescents and adults is the amount of dopamine flowing in different parts of the brain." (page 47) "Because the dopamine system of an adolescent is at its pinnacle and will never be this responsive again, novelty really rocks their world." (page 66)

Born to be Wild not only explores why teens take risks, it also gives effective tools for adults who care about the young people in their lives, offering ways to teach resiliency and provide guidance.

Parents, educators, and leaders of adolescents would benefit from reading Born to be Wild, which delivers thoughtful and scientific insights into the behavior of young adults and offers beneficial ways to help them through these turbulent years.

I highly recommend Born to be Wild by Jess P. Shatkin.



Buy it on Amazon, click here.


[Thank you to FSB Associates for providing me with a copy of this book for review. This in no way influenced my opinion.]

Saturday, April 15, 2017

Writing Workshop at the Nampa Public Library

Today, we had a gathering of creatively minded people at the Nampa Public Library, where we discussed my 12-Step Writing Process. The energy in the room was contagious as we explored the different aspects of writing and getting published. I left there excited to write more, and I hope everyone else felt the same way!

Here are a few snapshots from the event:






If you're interested in having me come and speak to your group, send me an email for more information: margokelly1 @ outlook . com (without the spaces)



Wednesday, September 7, 2016

#IWSG: Time to Write

The first Wednesday of the month is Insecure Writer's Support Group!


http://www.insecurewriterssupportgroup.com/

"The Insecure Writer’s Support Group is a home for writers in all stages; from unpublished to bestsellers. Our goal is to offer assistance and guidance. We want to help writers overcome their insecurities, and by offering encouragement we are creating a community of support."

Join the group:  http://www.insecurewriterssupportgroup.com/p/iwsg-sign-up.html 


SEPTEMBER 7TH QUESTION FOR BLOGGERS: How do you find the time to write in your busy day?

For me ... the question behind the question is: How important is my writing to me today? 

If I left my writing until I "found time" - I wouldn't write. There are so many obligations and have-to-do items each day that finding extra time in a day is a nearly impossible task for me. Therefore, in order for me to accomplish my writing goals each day, I must TAKE the time. I must make writing a priority. Are my goals important enough for me to get up at 5am and write? Important enough to get up at 4:30am and write?

Many successful writers have full-time jobs in addition to their writing careers. Often times, they get up crazy early to write. And they publish books on a regular schedule. So, if you're like me and have no full-time job, but find yourself extremely busy with all of the other demands of life, we must TAKE the time to write and make it a priority. Get up early. Write first.

What about you? How do you make writing a priority in your day?






Friday, June 10, 2016

My 12 Step Writing Process



Here are the basic steps I take when writing a story:

1. I read as many award-winning and best-selling books as I possibly can.

2. I read books on the craft of novel writing, and especially before I begin writing a new story, I read a NEW book on the craft that I've not read before. This really helps refresh my brain on the skills and techniques involved in great writing. Usually while I'm reading, my brain will spark with character and plot ideas for my next manuscript.

3. BEFORE I write the story, I write a query letter, or an elevator pitch, or a quick summary ... this makes writing the manuscript easier. First of all, by writing out the pitch, I can make sure the idea is going to work and then stay on track. I even pass that pitch on to my beta readers and critique partners to get their feedback. It's amazing what kind of plot problems people can pick out just from your short pitch.

4. Once I've polished the idea, then I use Blake Snyder's Beat Sheet, from his fabulous book SAVE THE CAT, to rough out the big ideas of my plot. Then I outline the main points of my story to work out problems ahead of time and save effort later.

5. Character development exercises help me get to know my characters better before I start writing. I utilize a character chart and ask my characters questions to make them as fully developed as possible.

6. Then I jump in and write the first draft. I *try* to finish the first draft without revising and editing; otherwise (because I'm such a perfectionist) I would be stuck forever polishing the first chapter.

7. Revising is my favorite part. I start with the overall big ideas and work my way down to the small individual word choices. I believe every word needs to move the plot forward or develop a character. If the word, sentence, paragraph, scene, or chapter doesn't do one of these two things, then it either needs to be cut or seriously revised for improvement.

8. While I'm in the revision stage, I will send chapters off to my awesome critique partners. They lovingly rip my work to shreds, and then I revise it again. I prefer to stage my critique partners so that they are not reading the same version. I will usually send a chapter to one critique partner, revise as necessary, and then send it to another partner for new feedback.

9. Once I'm satisfied with the manuscript I will send it to a few beta readers who tend to look at the bigger overall story rather than nit-picky little details. I make necessary improvements based on their feedback.

10. I send the manuscript to my ROCK STAR agent. After she reads it, she sends me an editorial letter with suggestions for improvement. And I revise again (because her suggestions are always spot-on, and I always slap myself in the head and ask, why didn't I see that sooner?)

11. My agent submits my manuscript to editors at publishing houses. If the planets are aligned properly, it sells. Then the editor sends me a new editorial letter, and I revise again (slapping myself in the head again, asking, why did I not see that sooner?!)

12. And then I start the writing process all over again.