Showing posts with label voice. Show all posts
Showing posts with label voice. Show all posts

Monday, August 12, 2019

Creating an Authentic Voice for Your Novel


The concept of “voice” is an elusive one for many writers, but when you utilize techniques to develop your author’s voice, the narrative voice, and each character’s voice, your manuscript will become significantly more dynamic.


On September 18, 2019, at 7pm, I will be teaching my one-hour workshop on how to improve your author's voice at the Nampa Public Library. There is no charge to attend this event. Bring five pages of your manuscript to utilize during this hands-on process.



Here are a few of my favorite quotes on this topic:

“The author’s voice is about the chosen words, how we report the various senses, how the world we have invented becomes real.” -- Jane Yolen, Author


“A unique way of putting words together … a unique sensibility, a distinctive way of looking at the world. … Voice is a natural attribute. You no more control it than you can control the color of your eyes—nor would you want to. ... Set your voice free, set your words free … set your heart free. It is from the unknowable shadows of your subconscious that your stories will find their drive and from which they will draw their meaning. No one can loan you that or teach you that. Your voice is your self in the story.” – Donald Maass, Literary Agent


“A strong, distinctive, authoritative writing voice is something most fiction writers want—and something no editor or teacher can impart. There are, after all, no rules for writing like yourself. Voice is, however, something you can bring out in yourself.”
– Browne & King, Self-Editing for Fiction Writers


“It is … the outlook, opinions, details, delivery, and original perspectives that an author brings to his tale. Above all, a singular voice is not a lucky accident; it comes from a storyteller’s commitment not just to tell a terrific story but to tell it in a way that is wholly his own.” -- Donald Maass, Literary Agent


Thursday, May 4, 2017

Developing Your VOICE

The concept of “voice” is an elusive one for many writers, but when you utilize techniques to develop your author’s voice, the narrative voice, and each character’s voice, your manuscript will become significantly more dynamic.

Below is an exercise from Donald Maass's The Fire in Fiction to help find and develop your author's voice.



1. Choose a page from your manuscript.
2. Rewrite the page, stripping all colorful description and replacing nouns and verbs with generic choices. Make the characters and action bland.
3. Rewrite the page again, using all upper crust formality.
4. Rewrite it again, making main character easily offended by everything.
5. Rewrite again, observing as a foreign tourist, with awe and bewilderment.
6. Rewrite it again, utilizing the wisdom of an elderly person.
7. Finally, rewrite it as it will appear in print, embracing your own voice—opinions, observations, sensibilities.

(The above exercise is paraphrased from Donald Maass’s The Fire in Fiction.)


An author's voice is “… the outlook, opinions, details, delivery, and original perspectives that an author brings to his tale. Above all, a singular voice is not a lucky accident; it comes from a storyteller’s commitment not just to tell a terrific story but to tell it in a way that is wholly his own.”

-- Donald Maass, Literary Agent


What do you think? Have you mastered your own distinctive author's voice?


Tuesday, April 29, 2014

Y is for YOUNG ADULT FICTION FOR DUMMIES

 

So … you want to be a writer? Where do you start? How do you get there? No worries. This month I’ll be sharing my A to Z list of writer’s resources: books, blogs, and beyond! Check back each day to find helpful resources for improving your writing and navigating your way through the publishing industry.


Y is for YOUNG ADULT FICTION FOR DUMMIES by Deborah Halverson

Yeah, yeah, the title of the book is actually: WRITING YOUNG ADULT FICTION FOR DUMMIES, but I needed to make it fit in my A to Z list. ;)


If you are writing for the YA market, this is a definite must have. Plus, regardless of the market or genre you are writing for, this book has the best section on VOICE that I've ever read anywhere. "Voice" is such an elusive concept, but Deborah Halverson gives you concrete steps to take to improve the "voice" in your writing. I highly recommend this book.

Wednesday, February 15, 2012

STILL Thinking about VOICE

VOICE ... have you defined it? Mastered it? Ignored it? Set it free?



Donald Maass wrote, "By voice, I think they mean not only a unique way of putting words together, but a unique sensibility, a distinctive way of looking at the world, an outlook that enriches an author's oeuvre" (WRITING THE BREAKOUT NOVEL, p.193).

An author's WHAT?

Oeuvre: "a substantial body of work constituting the lifework of a writer, an artist, or a composer" (from merriam-webster.com)
For example:

Calvin & Hobbes
Hobbes says "I notice your oeuvre is monochromatic," in comment to Calvin's snowman.
Click here to see some awesome Calvin & Hobbes cartoons.

Again, Maass wrote, "Voice is a natural attribute. You no more control it than you can control the color of your eyes--nor would you want to. ... To set your voice free, set your words free. Set your characters free. Most important, set your heart free. It is from the unknowable shadows of your subconscious that your stories will find their drive and from which they will draw their meaning. No one can loan you that or teach you that. Your voice is your self in the story" (WRITING THE BREAKOUT NOVEL, p.195).

So ... what do you think?

Is your oeuvre monochromatic? Is your voice distinctive?

Monday, February 13, 2012

CRAFT: Voice

The awesome blogger Christine Tyler wrote the following wonderful words as a comment on a previous post of mine about VOICE.  I thought I'd repost it here for more people to see. :-) Thanks Christine!


Picture source: http://technorati.com/business/gurus/article/corporate-blogging-much-ado-about-voice/

"Honestly, I think voice is one of the least "researchable" aspects of writing style. Because even if you manage to watch teens, or study teens, the best you can get from that is an imitation-sounding voice. If you can't remember your OWN teen voice, I wouldn't write it.

"However, you may be underestimating how well you do remember your voice. I know as a teen, I sounded a lot more intelligent in my head than the words that came out of my mouth, and more often than not, people would remark that I didn't sound like a teenager at all, and that was part of my personality. If this was the case with you, let your character be the exception. Some teens are more mature than others. Some don't cuss, and barely use slang. Some have big vocabularies, and are considerate of others.

"YA doesn't have to be stereotypical. As a matter of fact, TRYING to sound like a NORMAL teenager may not appeal to teen readers who are anything but stereotypical.

"This reminds me of a bad review Orson Scott Card got on Ender's Game. A critic once said "Children don't speak like that. They don't even THINK like that." And Orson's reply was, "No, YOU didn't think like that."

"You'll always have someone tell you your voice isn't coming across "right." The only thing you can do to ensure that it is? Is by using your own, authentic voice.

"So don't worry so much about "listening to kids" so you can try to find someone *else* inside you. Read your old journals, your high-school notes, think of memories you have, how you acted around boys...bring yourself there and go, "Why did I do that? What was I thinking? What was I really feeling?" And best yet, "Did I even realize that at the time?"

"Because this is your heart, and your voice. Not ventriloquism.

"Best of luck, and what a thought-provoking post!"

... THANKS Christine for the great words of wisdom.

How about everyone else?

How do you feel about the topic of voice? Have you mastered it?

Tuesday, April 26, 2011

Voice ...

The letter V is for Voice.

A challenging topic in the world of writing - - feel free to click on the voice tag in the sidebar for previous posts, but here is one of my favorites:

CRAFT: Voice

Sunday, March 20, 2011

Blogfest: Show Me the Voice!


Ha, coincidence that my last post was on the craft of voice, and now today, here's a blogfest on the same topic!

Well, the amazing Brenda Drake is hosting a BLOGFEST judged by agent Natalie Fischer. Cool, eh?

Here are the first 250 words from my finished manuscript, THE EDUCATION OF THIA (working title ... I'm considering changing it, but I'm having trouble deciding! Ack.)

Since the contest is based on VOICE - - let me know what you think:

Some old dead guy once said a journey of a thousand miles begins with just one step. Obviously. I only wish I’d noticed sooner where my steps were taking me. One of those first course-altering steps happened on a cold November morning.

My best friend, Janie, arrived at my house later than usual to walk to the bus stop. She chattered on about her new fluffy snow white parka. Her words bounced in rhythm with her black ringlets, and even though she had a hood, she would never smash her perfect curls just to stay warm. The crisp air made the tip of her nose red, but the rest of her face remained alabaster white. She continued to talk as fast as she walked. I simply smiled and nodded. We’d been best friends for years, and at thirteen, having a friend made riding the bus bearable – on a normal day.

We arrived at the bus stop and scanned over a dozen people for Tim and Josh. They stood on the other side of the group. Tim shoved Josh jokingly, and a cloud of white air escaped his mouth as he laughed. He glanced in my direction, and his smile paused. His blue eyes made my heart accelerate. Tim looked cuter than ever with his bomber hat and rosy cheeks.

Janie whacked me on the hip. “Omigosh, Thia. Here they come. Smile.”

While Janie hoped Josh and Tim would ask us to the upcoming school dance, I hoped to speak to Tim without sounding like a complete dope.

Friday, March 18, 2011

Craft: VOICE

Tough one.

Tougher yet: young adult voice. It comes easily to some wonderful writers. For me, after working at it and researching it, I'm wondering if it's something I can master or not. Some people say, just remember back to when you were a teen. But, it occurs to me after reading many insightful posts, maybe I never had a "teen voice" ... even when I was a teen.

Because, according to this AWESOME post by Natalie Fischer, Click Here for Her Post, YA voice isn't JUST about the WORDS ... it's also about the view. For example, Natalie says, "YA voices are very ego-centric." Which is stereo-typically true. Teens see the world and how it affects them personally. Where more mature adults see the world and consider how it affects everyone. (But, I know many adults who also see the world in an ego-centric way!)

Another great post on writing YA voice can be found HERE at DearEditor.com. This post instructs us that the voice comes through the details noticed by the character. The little things.

My infantile opinion? It's all these things and more.

How will I ever master it? Practice ... I suppose!

Do you have a great tip or link to share regarding the topic of YA Voice?

Thursday, February 24, 2011

REVISING: Voice

Yup, I'm still deep in the trenches of revisions. I keep asking myself why this revision is taking SO LONG. I think there are multiple reasons, but one is: VOICE.

I'm striving to make each character's voice their own.

I'm also in the trenches of reading THE DOME by Stephen King, and I'm wondering why is this book taking me SO LONG to read? If it were any other author, I probably would have quit the book by now. But, the major reason I'm sticking with the book, is: VOICE. King has a gazillion characters in this book, and they each started out with such strong voices - some even seemed a little over the top to me. But I learned some things from his writing style in this book. Word selection is so important.

Duh. Right?

Maybe I'm a little slow in the head. But here's what I'm grasping... You can use the word WALKED in a sentence. We all get what that means, right?

But what if your character is angry? STOMPED
What if your character is giddy with happiness? SKIPPED
What if your character isn't right in the head? STAGGERED
What if your character is always in a hurry? DASHED

Walking is more than just putting one foot in front of the other. And, *how* your character walks lends to his VOICE. So, as you and I work on revisions and VOICE, consider each and every word (not just verbs) and make sure that is a word choice the character would make, in dialogue, monologue, and action.

Tuesday, February 15, 2011

HOUSE RULES by Jodi Picoult

Okay, I must tell the truth about yesterday's post...(the one that said as writers we should all read more)...well...it was really just a post to give myself permission to read all day. hahaha

So, yup. I read all day Monday. It was glorious. Be jealous (and go pick up a good book for yourself)!

What did I read, you ask?



HOUSE RULES by Jodi Picoult.

This was the first book I've read by this author.

I glanced at some of the other reviews on Goodreads for this book, and line is pretty clearly drawn between people who loved the book and those who did not.

I have to admit, I agree in general terms with the dissenting opinions regarding the fact:

1. It was predictable.

2. It was frustrating when the characters wouldn't just TALK to each other to find out the actual details of the murder. They were all just too afraid to discuss it - - which relates directly to their inability to function daily as a family before the event.

3. It was a political statement against vaccines.

Additionally, I wasn't blown away by the voices of the characters. I don't think a teenage character "sounds" like a teenager just because the author gives him plenty of cuss words. AND, I thought the cover was VERY deceptive. I'm a big fan of covers, and this was not an accurate representation. The m.c. is 18-yrs-old, not a child like the one pictured on the cover.

With that in mind, I'm still giving it five stars. Why? I loved the book. And while I did NOT like everything or fully agree with the content surrounding Asperger's syndrome, I found this to be QUITE a COMPELLING read. I blew through it. This is the first time I've read a book by Jodi Picoult, and I'm sure it won't be the last.

I love a book that challenges the way I think about life, challenges the way I parent, and challenges the way I discuss topics with friends. I have a friend who is the mother of a child who deals with Asperger's syndrome, and it's not easy...but parenting as a rule (if you try to do it well) is not easy.

What's the best book you've read recently?

Thursday, January 13, 2011

Make a Choice!

I'm currently working on a major revision of my first ms, MANIFESTED, and while doing so, I'm striving to drastically improve each chapter, each page, each paragraph, sentence, and word. A challenge indeed.

And yet, I am enjoying the revision process.

One thing I'm striving to do is create strong voices for each character. So, I turned to my favorite book on the craft of writing: THE FIRE IN FICTION by Donald Maass:

"What about point of view? Do you lurk in the third person or vocalize in first person? Do you stick to your protagonist's point of view, widen to others, or explore unexpected perspectives? There is nothing wrong with any particular choices. What bugs me is that many writers do not seem to have made a choice in the first place. Most manuscripts wander along in the way that it first occurred to their authors to write them. They do not confront me, insist that I listen, or seek to surprise me with a different way of seeing" (page 125).

Make a choice. Insist that your reader pays attention to your words. Surprise your reader.

Easy. Peasy.

Right? Write...

Friday, January 7, 2011

CRAFT: Voice

As I considered what to write today for the topic of VOICE, I clicked back through some old blog posts, and decided that I'd simply repost one from several months ago. Why? Because voice is a hard concept to explain, and if you really want to learn what it is - - you need to read... a lot.

How then do you gain your own VOICE? Really get into the head of your characters. Know them. Create conflict. Edit until you're blue in the face. Practice.

Here's the repost on VOICE:

Many writers discuss the topic of "voice." Many agents say they will only sign a writer with a strong "voice."

What is "voice" and how do you get it? Well, the answer to that is quite vague, and you could spend days blog hopping and researching to find a "maybe" kind of answer. However, after reading one issue of Glimmer Train from cover to cover, I understand much better what "voice" is. And, I think I'll start reading the next issue right away, because I've learned more about voice from this one issue than I have from any other form of reading or research I've done on the topic.

While I was impressed, confused, and moved by the first story in the issue, I was even more influenced as I went from one story to the next. The stories in this issue each have an obvious and distinct voice. It's been a great lesson to read one story and immediately go into the next story and see, read, feel, the distinct change in voice. Amazingly, Glimmer Train provides not only a great demonstration of voice, but it also gives examples of impressive language, word choices and sentences, which leaves the reader considering the images long after setting the story down.

If you want to read great stories, buy a copy. If you want to improve your writing craft, buy a copy. :) http://www.glimmertrain.com/issue74spring.html

Do you have an example of an author with strong voice? Share!

Tuesday, December 14, 2010

Serious Interpretation

My sixteen-year-old son chose the "Humorous Interpretation" category to compete in for the speech competition - - so, before judging the SERIOUS Interpretation category for the first time on Saturday, I felt like I was familiar with the category.

Except I wasn't.

I had watched my son prepare his interpretation of THE CANDY SHOP WAR by Brandon Mull.

It's a fun book with fun characters, and to watch my son present it - - was FUN! (Which as I mentioned in yesterday's post, he took FIRST place in his category!) I'm a mom... bragging is sometimes required.

The idea is to select one or more scenes from the book that represent the book and then deliver it in a compelling way. Competitors are judged on their poise, quality and use of voice, physical expression and especially the ability to interpret characters correctly and consistently, using full body movement.

So, then, fast forward to the SERIOUS Interpretation category. I had six young women competing in the round I judged (there are multiple rounds with different judges).

And, interestingly enough, two of the young women in this round selected the same book for interpretation.

IMPULSE by Ellen Hopkins.

To be honest with you, I've looked at the book several times on the shelf at Borders, and each time I've decided not to purchase the book. One reason is topic (too depressing), and the other reason is style. The text looks like one long poem - written in verse.

But, to hear two very different young women present the verse verbally - it blew me away. And, now I need to read the entire book.

It was interesting, the first young woman appeared as though she had practiced her presentation a lot, but she was very nervous, and so many of the words came out monotone. She stood very still for most of her delivery, but tried to move to emphasize the moments she thought were most important. I didn't hear many of her words because they got lost in the monotony, none-the-less, she did a fine job.

I had no warning that two ladies were interpretting the same book.

When the next young woman got up and spoke the same opening words AGGRESIVELY and with physical movements, I didn't even recognize the words... until she got to the four last lines. At that point she had already reached into my chest and ripped out my heart.

I had to keep control of my facial expressions and emotions because the first competitor was watching me closely, probably comparing my reactions to the ones she received earlier from me.

But frankly, I wanted to cry. Or yell. Or pound my fist on the table and say, "Oh. My!"

Sometimes, it is all about the delivery. The spoken word can transform the meaning and the emotion behind the written word.

Here are the words that both competitors opened with from the book IMPULSE (pages 3 and 4):

Wish

you could turn off
the questions, turn
off the voices,
turn off all sound.

Yearn

to close out
the ugliness, close
out the filthiness,
close out all light.

Long

to cast away
yesterday, to cast
away memory,
cast away all jeopardy.

Pray

you could somehow stop
the uncertainty, somehow
stop the loathing,
somehow stop the pain.

Act

on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.

...To hear these words uttered from the mouths of two very different young women, made me want to do something...

1. Buy the book
2. Reach out to teenagers
3. Talk with my own teenagers around the dinner table

Have you been moved by the spoken word? Do you think the spoken word can change the meaning of the written word or merely enhance it?

Come back tomorrow for the review of the competitor I awarded the first place ranking to in this category - - and the book that I now want to select for my next Book Club Book! If you love books as much as I do - be sure to friend me on goodreads.com! :)

Wednesday, December 1, 2010

The VOICE in Your Head

So, while flying today (Wednesday), I read about 150 pages of SPEAK by Laurie Halse Anderson. Talk about VOICE. She's got it nailed. ... oh wait ... no pun intended (hahaha - speak/voice - get it? hahaha) ...

I even kept reading up until the point where people undid their seatbelts and started piling into the aisle of the airplane. Then I put the book away and headed into the terminal.

An interesting thing happened while I walked... maybe it was just because I had to pee so badly... but maybe it was because the writing was so great.

I realized the VOICE in my head matched the-style-the-flavor-the-feeling-the-tone of the book I'd been reading. I may have laughed out loud at myself. I thought it was pretty funny. Or scary. Maybe I'm just a crazy person who thinks too much.

But, I thought, WOW! That's great writing if the voice carried over into my own thoughts after the setting the book down.

I love to read. I know many times, characters from a book stick with me for quite awhile but I think this is the strongest a voice has ever carried over into my head.

How about you? Have you had a certain book with such strong VOICE that it influence your normal thought process? Tell me! :)

Thursday, September 9, 2010

Finding Your Voice

Many writers discuss the topic of "voice." Many agents say they will only sign a writer with a strong "voice."

What is "voice" and how do you get it?  Well, the answer to that is quite vague, and you could spend days blog hopping and researching to find a "maybe" kind of answer.  However, after reading one issue of Glimmer Train from cover to cover, I understand much better what "voice" is. And, I think I'll start reading the next issue right away, because I've learned more about voice from this one issue than I have from any other form of reading or research I've done on the topic.

While I was impressed, confused, and moved by the first story in the issue, I was even more influenced as I went from one story to the next. The stories in this issue each have an obvious and distinct voice. It's been a great lesson to read one story and immediately go into the next story and see, read, feel, the distinct change in voice. Amazingly, Glimmer Train provides not only a great demonstration of voice, but it also gives examples of impressive language, word choices and sentences, which leaves the reader considering the images long after setting the story down.

If you want to read great stories, buy a copy. If you want to improve your writing craft, buy a copy. :)